Airport 925k Instrument Landing

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Folk Art grew from below. It was a spontaneous, autochthonous expression of the people, shaped by themselves, pretty much without the benefit of High Culture, to suit their own needs. Mass Culture is imposed from above. It is fabricated by technicians hired by businessmen; its audiences are passive consumers, their participation limited to the choice between buying and not buying.... Folk Art was the people’s own institution, their private little garden walled off from the great formal park of their masters’ High Culture. But Mass Culture breaks down the wall, integrating the masses into a debased form of High Culture and thus becoming an instrument of political domination.
—Dwight MacDonald (1906–1982)

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Humor has been a fashioning instrument in America, cleaving its way through the national life, holding tenaciously to the spread elements of that life. Its mode has often been swift and coarse and ruthless, beyond art and beyond established civilization. It has engaged in warfare against the established heritage, against the bonds of pioneer existence. Its objective—the unconscious objective of a disunited people—has seemed to be that of creating fresh bonds, a new unity, the semblance of a society and the rounded completion of an American type.
—Constance Rourke (1885–1941)